In one of the wildest shows I have ever seen, Christoph Büchel’s “Monte di Pietà” (Mount of Piety) fills an 18th century palace with an unimaginable amount of stuff. A room full of used clothing. Records from the historical archives of the Bank of Naples. A photo of the Prime Minister of Italy, directing visitors to the toilets. The show (with its accompanying ‘auction catalogue’) engages with intersections of debt, consumption, politics, and power. Somewhat awkwardly, all of this stuff was sourced for several years, taken to warehouses on the mainland, and sent in hundreds of trips by boat to the Grand Canal.